Showing posts with label Childrens books and illustration. Show all posts
Showing posts with label Childrens books and illustration. Show all posts

Wednesday, 18 June 2008

Wild Animals I Have Known


Paid $15 for this two years ago, from a secondhand bookshop in Burlington Vermont. Have been dipping into it ever since, and finally got though it the other night. I've done no research on Ernest Seton Thompson, so all I know are his claims on the title page here -


Most of the stories are American, but I was surprised to find one account (of Wully the dog) is based near Bakewell in Monsaldale, and how he was a fantastic sheepdog, obedient and loyal, but would sneak out at night and eat as many as he could.
This book startled me with it's brave and elegant layout - blocks of text surrounded by these huge open margins on seemingly hand-torn pages. Apart from the fact that his illustrations are very fine and well drawn, I enjoyed how, like all good wildlife documentary, he combines the sweet with the cruel and horrific realities -


In his introduction, Thompson explains his approach to nature writing as treating the animals as individuals with their own particular characteristics, whether Lobo the Wolf or Silverspot the Crow. He goes into real detail in some cases, even attempting to transcribe squawks -


When I opened the book, my first impression was that someone had drawn their own sketches in the margin, straight into my copy. It's like Thompson has gone through the text and annotated it, just as you'll find notes in the margins of an old A-level Shakespeare book -


Thompson seemingly has this great insight into the lives of animals - or at least creates the impression he has. I was particularly taken by the way he describes Redruff the partridge's yearly cycle with these tiny little poetic diagrams - (click the image to enlarge - they are well small) -


Hey, American readers - is he a well-known writer over there?
I'll be looking out for his other stuff, if there is any, and highly recommend this book (if you can locate a copy) for kids and grown-ups.

Wednesday, 4 June 2008

The Ahlbergs


Missed this on Radio 4 yesterday, but thanks to Listen Again got to hear it this morning - Alan Ahlberg at 70. Alan and Janet Ahlberg's books had a massive influence on my own artwork as a kid, and continue to do so. I've always been captivated by their subject matter, sense of humour, the generosity with which they fill the page, and Janet's beautiful pen and watercolour illustrations. With my mum I caught an exhibition of their work in Halifax last year (touring from Seven Stories in Newcastle), and was amazed to see how much of her work was produced actual size, and how much of it there is.
The Old Joke Book kept me occupied for hours and hours, and since 1976 hasn't aged at all, still brilliant and inspiring.



Also on yesterday's Listen Again, Michael Bond (at 80) talks about his new Paddington book, 50 years after his first. I like Paddington.

Monday, 19 May 2008

The Laugh Book

After some very quick and lazy research, I've learnt that Ruth Belov Gross started writing for children in 1970 with What Do Animals Eat?, and is still creating this stuff for kids. The Laugh Book (1971) is illustrated by Leslie Jacobs, who seems to have started in the late 50's.
I think the simplicity of this book is what appeals to me; the diagramatic illustrations, and the laugh-along dumb rhymes and puns which make it look so easy. Surely if we just sat down and got on with it, everyone could be producing these books! Maybe not as elegantly as The Laugh Book, but I guess it would get easier.



Tuesday, 29 April 2008

Old Winkle and the Seagulls

Today's children's book; Old Winkle and the Seagulls by Elizabeth and Gerald Rose, first published 1960 (this Picture Puffin a 1976 edition).
I'm posting this mainly for the pleasure of Oliver East, as I think he sometimes works in similar ways - drawing with paint to create a very particular atmosphere, and despite often being reduced to daubs or puddles of pigment, an attention to detail which creates a convincingly familiar world.





My own childhood was filled with Picture Puffins, by the likes of Jan Pienkowski, Tomi Ungerer, John Ryan, Raymond Briggs, John Burningham and Maurice Sendak, all now read ragged.
With about 11 weeks until Baby Popeye is due, I'm starting to relish having a genuine excuse for revisiting all these tatty old books other than putting off getting some drawing done.

Tuesday, 22 April 2008

Frou the Hare


As one of those people that appreciates maps anyway (is there a word for that? Cartophile?), it made me go 'oooh!' when I turned the page and saw this topographical explanation of Frou being chased by a hound. I enjoy how these illustrations are unafraid of depicting the story as information - as diagrams or lists -


On Ebay there's loads of original French editions of this series, but on top of wanting English versions, there's something quite joyless about finding these things online, despite the 'game' of bidding. As more and more secondhand book sellers realise that they can do good business through Ebay, is leaves fewer and fewer treasures to just stumble upon or rescue from beneath piles of Giles or Garfield. Occasionally I do get the odd Beezer or Beryl the Peril annual off Ebay, but it really does take the fun out of it. The fact that people know the proper price for these things now really spoils it, though I've never been one for needing the mint condition copy (most likely 80% of my childrens book and annual collection are scribbled and crayoned in, or have their 'this book belongs to' section filled out. If I was Amelie I'd return them all to their original owners). Whatever happened to jumble sales?

Sunday, 17 February 2008

Martin the Kingfisher

Too nice to stay in drawing stupid cats yesterday, so took the 64 bus to Macclesfield, a glorious 35 minute journey winding up and down and all over. Could have got off at Kettleshulme and gone to The Swan, which is owned by the residents and does the greatest food I've ever had in a pub, but I stayed on the bus.
The silk museum, which I'd never been to, was closed, but had a good explore around the town. Down side - no comics shops (but then they are all pretty disappointing with no real discoveries). Up side - cracking little indoor market, proper cheese, meat, veg. Mexican restaurant, which I'll try next time. A few interesting looking pubs, and The Cheshire Gap, Macclesfield's highly impressive delicatessen (could have spent £40 easy). Nice cluttered art shop, interesting looking secondhand shop next to it (closed), and a nice little secondhand bookshop, where they offered me wine and I found this -

The back describes the series as possessing "that delicate gaiety which shows they come from the French", "gently ablaze with ROJAN'S lithographs".
Lithography is something I've always fancied trying my hand at, and this beautiful book had renewed my interest. Probably be good for me to draw some other animals too.
I've never seen this Pere Castor's Wild Animal Books series before, so please on your travels look out for MISCHIEF the Squirrel, QUIPIC the Hedgehog, PLOOF the Wild Duck, FROU the Hare, BOURRU the Brown Bear, SCAF the Seal and CUCKOO.


Is it the muted colours, the dusty textures, or just the deceptive simplicity of these illustrations that just makes me sigh? Or am I a softy?



The images and format remind me a lot of the old Picture Puffins which are just achingly perfect. My mum has entrusted me with her collection of maybe 20 different books in the series. Maybe I'll scan one or two for you all in internet land to see.